More and More

And so, life continues.  I will continue to talk about teaching.  I will continue to talk about art.  I will continue to plan and get excited about everything that's happening in my life. In the immediate, I am now working as a TTOC (Teacher Teaching On Call) in Coquitlam, and though it's a little out of the way I'm happy with the hours and the experience.  I'd still love to get my hands on an art class and see what I could put together coursewise, but it will come.  I'm in no rush at the moment.

I'm also prepping artwork to put up in the Grind on Main Street.  The space is cavernous, open 24 hours, and I get to fill it up.  It'll be fun!

Art, Teaching, Limnal Spaces

So, I've graduated from UBC with a BEd in Secondary Art Education.  Now what? Well, getting a job / finding employment might be a nice start.  But there's more going on here than just that.  Sigh.  I'm not exactly sure how to begin this conversation.

My life splits into separate but fully integrated categories - I am a teacher, I am an artist, I am a father.  Ie - my vocation, my calling, my private life.  The three work very well together, luckily.  I love teaching, and through my teaching I am reaching out into the world and sharing potential; as a teacher I get to help nurture/guide/subvert hundreds of students so that they can approach their potential.  I can't stop being an artist as it's a part of my identity.  Art is how I express myself in the world and it's also the medium I use to communicate/argue/shout about the things that matter most to me... like my family.   My family, both extended and nuclear, is my comfort, my clan, my solace.

So now what?  I have two school districts that have promised to interview me.  I have been hired to work with a tutoring company, and there's another week ahead.  I have an art show scheduled for January 2013, I have proposals in for work with an arts collective, and I'm a busy little bee creating stuff to fill my house (and then some).  For my family, it's looking like my divorce will come to a peaceable resolution outside of the courts, and my phenomenal daughter's excited about launching into grade one.  Oh, and my wonderful girlfriend is helping me to hold myself together while the bills accumulate and life carries on.

As for limnal spaces?  There's a work that's still up along the Greenway Bicycle Corridor, spread out across Boundary Road.  It's a story in twelve panels, wheatpasted to the skytrain columns.  I love it, and will have to post it here a little later.

Over and out.

Another Short Message

To let the world know that the artwork is still forthcoming. Currently working on doing something with led solar lights and water...  could be interesting, and could be a challenge.  Yay for installations, though!

See, I told you it was going to be a quick post.  Not a lot of details - only enough to say that the work is progressing, and that it's exciting to be producing more art.

Thinking About Art

This is going to be a short post. Where does my current art interest sit? I'm interested in the intersection between art and public spaces. I'm interested in ambiguity and simple iconography. I'm not sure about traditional representation or pretty art - I'm a little distrustful of it. I feel like art needs to mean something / even if its meaning isn't clear. I feel like art needs to risk something.

Where do I sit with all of this? I'm not really sure.

But here's something that showed up on the greenway, and that fits some of those criteria: Bird Video - Greenway Narrative

Coursework and Posting Delays

To all or any who might have been paying attention, this blog has been relatively quiet for something like half a year. That's far too long and there really isn't any good excuse for it except that I've been completing coursework to be accredited as a high-school art teacher. My family breathed a communal sigh of relief. ('Finally, something stable to support your daughter and partner.') Thanks for your awe-inspiring support... In related news, I get to teach art to high school students. What an amazing opportunity and what incredible trust all those developing people are giving me! Interestingly, I didn't think I was going to be all that excited about teaching in a standard/industrial institution... but I've been proven wrong. There is such intensity and potential that I can't wait to get started. The students will be in for something a little different - I hope that they'll be game.

Over and out for now - back soon.

Quick Hello

And a reminder that I'm still alive and kicking. For some reason the past few weeks months have been more than a little wearing. As it now stands, I'm back in the mood for art making and art talking. I've found a little meetup group in Vancouver with whom I've been associating, and it's been refreshing/energising.

And so I begin anew. Art to follow shortly.

Main Street Works So Far...

I thought it might be interesting to see where I'm at in terms of the Main Street art works thus far - in no particular order... Now all that remains is to find a venue to hang some of this work and share it with the (slightly) east-side Vancouver world. [sthumbs=45|44|29|17|16|15|14|13|12|11|10|9|8,144,3,n,center,]

Another Option for Artist Funding

I firmly believe that the future of funding for artists exists in a micro-patronage model. This is a model whereby potential arts buyers contribute funding to an artist's or group of artists' career and receive a special relationship to the artist(s), credit towards artwork, access to the artist(s)'s studio(s), and the beginnings of an education in the arts - from those on the inside. The artist(s) get to escape from the painful business cycle of spending lots of time and money (on art, arts supplies, gallery exhibitions) on the eventual maybe sale of work. Instead, they work knowing that some of the art will be sold, that they have a guaranteed income, and that they are building relationships that will support them in the future. It is a much more tenable position.

Shameless plug: In the spirit of this posting, I've added a link to my menu that goes into a little more depth as to what someone (a potential art buyer) might stand to gain by supporting me as one of my micro-patrons.

It is hardly a new model, but rather an older model re-imagined for a world where cash-flow is tight, where arts education is on the wane, and where more artists can subsist without giving in to the 'starving artist' stereotype.

The way it goes, in my mind is that in the old world, a successful artist might have had an aristocrat or the church as a patron. Later, some of the emerging mercantile class could support the artists - and there was an arts renaissance in Europe. But the number of artists and the number of businesses that supported the arts were few. Now, we live in a society with a prosperous middle class filled with professionals and small business owners. Many of these would like to support the arts (and may be patrons inasmuch as attending theatre and live music), but they don't really know where to start. They haven't been taught to appreciate art (at least not beyond the self-refferential I know what I like and If it looks like something I can relate to) and they certainly don't want to look stupid. This is where micro-patronage works. It spreads out the cost of supporting an artist to a small group of 20-40 patrons. Those patrons develop a meaningful relation with a fledgling or established artist (and by extension, with the arts community). Those patrons learn about art - theory, history, appreciation - from the artist and his/her colleagues. And those patrons have access to fresh, real art to put in their houses and places of business to bring more life and vibrancy into their worlds.

Street Art around Town

This post has nothing to do with my work, at least not directly. I just thought I'd throw together a number of street art pieces that I particularly liked. So here goes.

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These are some examples of the intensely awesome wheat-pasting scene in Vancouver. The last one is on a building at Main and Broadway that's currently turning into a Tim Horton's.

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Then a few choice stencils.

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Add a few free-hand works and we're set. This is far from a compendium of all things street art in Vancouver, however. I'm missing two of the most prolific posters - Jerm IX and whoever it is that does the weird collages that are all over the city.

New, Old and a Little in Between

Just a quick post to recap the things that have been going on in my art studio. Unfortunately, I haven't spent as much time grinding out work as I might have liked. Fortunately, I have spent time, and the work is coming along.

Here's a photo of some of that work in its near-complete stages: [simage=30,400,n,center,] And another of an older work that never quite did it for me, and is now much improved: [simage=29,320,n,center,]

New Work on the Boil

Just a quick post to give an idea of some of the new work that I'm putting together in the coming weeks. [sthumbs=28|27|26,200,3,n,center,]

Left to right, that's two new works in the Main Street suite of images while on the far right, you just might be able to make out a pair of abstract landscapes that are destined for a gallery in the Okanagan. The business of being an artist can set one in all sorts of unexpected directions, but then, that's also its charm.